helsinki-based non person has been crafting his quirky audio sculptures since 2006, embracing the citys burgeoning experimental music scenes as his playground. from dirty club tracks to audio installations and deep listening, he is no stranger to the numerous ways of compressing organic emotions into expressions in data. coming from one of the first local proponents of the new wave of multicoloured beat music moving feet in select locations around the globe, presenser / mi empress is a study in elasticized electronic hip-hop and moist, yet fiery 140bpm bass structures. the first release bearing the non person name, this one is a keeper. channel zero is a new label run by dead-o of clouds with the aim of pushing new, forward-looking music to new sets of ears around the globe, with no boundaries set as to the type of music being released. as anyone who has witnessed a dead-o dj set can attest, he is a man who knows how to connect the dots. gaining momentum, channel zero is set for further releases this spring ? stay tuned

der ausnahmeproduzent flying lotus legt nach seinem vielbeachteten debutalbum los angeles den nachfolger vor! auf cosmogramma weitet er das spektrum der integrierten stile in richtung space-jazz aus und lädt ein zu einem kosmischen trip voller unendlicher liebe und begeisterung für musik in all ihren variationen. mit musikern wie rave coltrane, einem weiteren sprössling der coltrane-famile, dem bass-virtuosen thundercat und den gastvokalisten thom yorke (radiohead) und laura darlington (siehe debut) gelingt ihm der aufstieg zu schwindelerregenden neuen kreativen höhen. mit cosmogramma belegt flying lotus eindrucksvoll, weshalb ihn die matriarchin der globalen bass music, mary-anne hobbs, als den >hendrix seiner generation< bezeichnet.

incl. till von sein & aera paradise dub i guess this is what it comes down to being a musician: fire up a microphone, gimme a rhodes, a bass and some drums and lets start jammin! – thats the attitude! thats exactly what chopstick & johnjon together with label mate and partner in crime fritz kalkbrenner did for this lovely earthy release >keep on keepin on<, not to mention that they downed 3 bottles of vodka and bottles of vine during the session! chopstick & johnjon recorded a live acoustic bass a few weeks back, and still under the influence of the hip hop phenomenon, they decided to keep every single sound dirty and real. breaking out of the ordinary and the usual steps of making house music, the 3 musicians recorded almost every single sound in that song..

truly beautiful deep house records are things to be treasured, akin to proper songs that will last the test of time, not made to meet a fleeting fad. this is one of those records and a real pinnacle & departure for blm & pawas. although the term deep is an oft overused one, >waiting game< personifies the genres true key traits with a subtly moving groove that gradually builds, using layers of subtle percussion and a rich, warm synth motif to make a rich tapestry of sounds before finally introducing the beautiful female vocal that gives the track its name. patrice scott liked the track so much that he agreed to remix it - his first ever outside of his own, excellent, sistrum label. using plenty of the original track parts but taking it a different direction, patrice really has come up with something special. the track moves along with snippets of the main vocal and clever use of the main synth, the groove being underpinned by patrice s classic sense of production before moving into a more classic >detroit< ending - a mindset with a bigger, more dramatic sensibility

supported by: nick curly, anja schneider, samuel l session, steve bug, will saul, milton jackson.. after releases from drei farben house and paulo olarte, polytone is joined by matthias vogt. being a member of motorcitysoul (together with frankfurts house legend crock), matthias vogt has been teaching lessons in deepness for years now. in his solo works vogts profound education as a jazz musician is just as present. thus, >together as one< is carried by wonderfully deep chords, which are accentuated by a contrapuntal bassline. a classic male vocal highlights the soulfulness even more and turns this track into a marvellous deephouse affair.

material next big hit!! this one is being played by every dj in techno scene!!! simple as that !! solid black vinyl

deacon is the salvador dali of electro... a refreshing example of someone rewriting rules of music as he goes along the guardian by now youll know baltimores dan deacon. dubbed >oddball< by many, >inspired< by more hes one guy treading many thin lines - confidently straddling between nutjob and genius, downright brilliant and insanely mind-bending, and with a live show from another world inducing more audience participation than a seriously skewed pantomime. the label amazing sounds has brought together kindred spirits hudson mohawke, allez-allez and luke abbott to create a rich and varied ep which mirrors dan deacons rich and varied music. this is only the second release on amazing sounds, the first being a 12inch of remixes from the krautrock classic harmonia & eno 76 album tracks & traces (with remixes from shackleton and appleblim & komonazmuk). this next vinyl release is a one time only pressing of 500 copies

nice price deal !!! idiot is already something of a hit with those whove heard it being played out, combining hard soca drums with lush ecstatic melodic synth harmonies and a driving bass with a strange 8-bit melody that stumbles and trips around the rhythm. its completely alien at first, but potent enough to stick in your ears until you might catch yourself humming the refrain when you least expect it. a unique and fantastic combination of compelling contemporary sounds! altered natives, aka north london producer danny native, whose track >rass out< was one of 2009s best, takes over the b-side with a remix that seems to reflect 20 years of british house music back on itself. just using the bleeps from the original tune, he echoes and morphs his own melody over stepping dubby kicks and snares and a dark, driving bassline

everyone being into house music should know paolo mojo by now.not only has he released and had success with some of the worlds biggest dance labels but he is also the man behind oosh records.
on this lovely piece of music mr. mojo gets deep down and funky to bring a more laidback vibe than he usually offers. the vocal hookline delievered by the lovely ryan starr will stick on your mind after only 1 listen and the tight beats and deep chords will make you wanna play it during your warm up session or just before heading into the more big room sounding stuff.

meet desto. we found him wandering the streets of helsinki, eating canned tuna and drinking the water from a tin of hot dogs, desperately clutching armfuls of sticky future garage. starting off in spacey 2step rhythms, falling over bassline, and breaking down into an euphoric 8 bit cascade, the epic >disappearing reappearing ink< finally reaches wax after being in the boxes of pretty much everybody all year. on the flip, >broken memory< was given its first exclusive airing by oneman on radio 1 to much acclaim, and takes more of a straight up approach, and retains all of the fluid c64 chiptune beauty.
dj support from rob da bank, oneman, brackles, sinden, floating points, clouds, mary anne hobbs.

many people know antoine garcin for the two very successful labels he runs, time has changed and time is now, but you would be wrong in thinking these was the only arrows to his bow. in fact he has many and being a talented producer is one of them, as richie hawtin recognised when he praised him as the best breakthrough producer of 2009!

following the huge rüfdug release was never going to be easy, an all ears bestseller last year and heard just about everywhere over summer and beyond, but the ppf crew have lined up a heavyweight release schedule for this burgeoning offshoot label, and we’re very excited to present the second release over the last few years ooft!’s ali alongside graeme ‘revenge’ clark have taken the underground music scene by storm crafting their own unique, trademark sound in the often overpopulated ‘edits’ market, pretty much single-handedly instigating the pitched down house sound resurgence & running a superb blog, digital promotions company and forging ahead with their own productions as well as being consumate dj’s and party throwers .

fresh & ltd repress !! mark murphy is a jazz singer legend. he started in the late 50is, ruled the 60is and his records are a hipsters must have since the 70is. then he came to fame again when one gilles peterson got him into dingwalls in the late 80is and japanese producers united future organisation made murphys version of stolen moments (he wrote the lyrics) really big. recently he releases his second album love is what stays on verve (germany), produced by famous german trumpeter till brönner. another famous german producer, yes its henrik schwarz, touched the original track with its deep vocals and full orchestrra arrangement and created the ultimative fusion of jazz and the recent deep house sound from berlin. extremly tasteful. you will never heard strings, wooden brass, and such deepnees of murphy featured in the recent clubcontext but will do thanks to henrik schwarz. different to many others this remix gets released right after being finished in henriks studio so you can say this is the sound of the moment

>chaotisch serie< kicks off with a human sound that could only be composed deep in your throat, a sound that can hardly be described in words... rough and smooth at the same time... screaming for help it seems. then suddenly metallic sounds delay and tumble in... turning into an army of steel beetles swarming the place. plunging into a sweet melody that contorts being followed by trippy delays reminding us of the opening sequence of >the hunger< with catherine deneuve and david bowie at a bauhaus concert, we know this track will be huge.

the debut album by kontext on immerse records. blending key elements of dubstep and techno with classic glitch signifiers and idm, his music is instantly recognizable and utterly distinctive.

sweet 4 track ep by this newcomer... 3ear has a great ear for new artist! sarrass is hailing from the south-west of germany. he began his musical career by studying trumpet and piano and performing in small classical and jazz groups. later, after learning about klaus schulze he got in touch with techno which has (as we all know) a huge impact! he debuted release on compost black with the >home at the sea< ep. third ear discovered him and signed this sweet 4 track ep! a nice blend of detroit techno with abstract electronical sounds as being used by klaus schulze and the early german pioneers and contemorary house. great modern club tools with a nice personal twist! check!

the hot name on the berlin underground right now is david keno and the track that you are addicted to without yet knowing is >upside down<. you are the first people to be getting this release as its been kept under wraps since label boss riva star first started playing it at the end of 2009. after recently being featured on rivas radio 1 essential mix and bagged super early for dj hells gigolo compilation, the buzz around it has now reached breaking point with enquiries coming daily on where people can get their hands on it. it could be one of the most anticipated eps of the year so far so it s a very fitting release to start the label with. snatch! is riva starrs first label project and the aim behind it is to push new talents and well-established forward thinking producers. expect slamming fresh house cuts!

limited edition reissue of the special disco version of bill withers 1979 classic you got the stuff, a magnificent funky disco cut with a super cool five minute groovin cosmic section that was made famous again in the 90s after being chopped up by dj harvey for his black cock free range ep. still sounding stunning today, this track will rock any discerning floor and remains a huge favourite with disco djs. the original changes hands for top dollar so grab a copy of this stone cold classic while theyre around. dont sleep!

the 35-year-old hessian dj and producer frank lorber is intrinsically tied to the history of cocoon recordings. however, speaking of a comeback of lorber would be both consequent and not thinking far ahead, as tres is an artist collective being rather entrenched in the frankfurt tech house scene.

blind minded lives in london and is famous for his live appearances and has his third release with trapez ltd with >mr propre<. his first two release on trapez ltd was supported heavily and where charted by the italoboyz so weare looking forward to his follow up. >mr. propre< is the return of what used to be of the detroit sound blended with modern spontaneous changes in mood and crossovers which will put a smile on your face. >mr. propre< is the most technoid of all three tracks, whereas >jazz 2 me< is a bassline monster, with vocalquotes about jazz music stating it as >a state of life<, >something that you live!<. altogether a sexy cool groover! >the melting freak< is the most deep of all three tracks. here you can hear blind minded playing his analogue instruments (also a real 808 drum machine) being funky and cool rather than going for cheap thrills.

prepare to enter the sombrero galaxy. journey to the centre of the sun, the debut release from lovefingers highly anticipated imprint esp institute, is a collaborative effort from londoner jonny nash (discosession) and dutchman tako reyenga. the two met years ago whilst jonny was working and living in tokyo and tako made his way over to dj. around the same time, lovefingers linked up with these two and a musical family had formed. that being told, its only natural for sombrero galaxy to find its home and represent the face of the esp insitute. journey to the centre of the sun is a dive into a moody, visceral and ethereal headspace brought to life through shimmering synthesizers, swirling guitars and a chugging bassline coupled with live percussion, clearly setting the bar higher than the bulk of contemporary electronic music. on the b side, the stallions (lovefingers and lee douglas) reinterpret the track with optimism, nicely complimenting the original with a light and cloudy yet driving house version. this is the music of dreams, keep an eye on esp institute in this new decade.

after being leaked a few months back at ndatls release party demf weekend in detroit this low down funky little piece of genius by andrés finally sees its commercial release. the original first was released on ndatls first release >the floating e.p.<. after catchin a hefty ransom online this remix resurfaces in its original form with a previously unreleased instrumental, on one clean little colored vinyl 45.

we welcome this fantastic producer on trapez with this piece of music which is quite different from most of what we get today. the title track >ghosts< feels like as if klaus nomi and kraftwerk were performing together... something we would have loved to have seen but which never happened. this track is not for the people who love it safe but for the adventurous and the wicked. voices like sirens striking with high pitched tongues being counteracted by basslines with a surface that can only be described as rough as chunks of splintered steel. a brilliant stop and go feeling shows that christian martin is the master on the steering wheel when it comes to controlling the movement.

the spaniard manuel fernandez llorente had a classical musical upbringing, studying at the music conservatorium in madrid. he has been composing and producing electronic music since 1996, not only releasing on his own label >7noise< but more importantly also being licensed for various major compilations. now he is releasing his first tracks on highgrade records. at first, >addiction< unspectacularly plods on towards house heaven, but then the sparse vocals and timeless organ sounds give you a warm and soft electro shock. the first track on the b side >the gull< shows off prompts talents as a composer. a very discreet melody blankets the straight beat, taking away the coldness of the bass. a beautiful dream track that should never really end. >mechanic< brings it home and is right in your face, a journey into minimal techno country, where you meet the sound ghosts that prompt has summoned. a single drum beat here, a voice there and a now and again a sound shred that are all meticulously arranged to make the perfect atmosphere.

dasha rush though a new signing has been a very close ally of sonic groove over the last four years. adam x owner of sonic groove met dasha in a very ironic way at a random party in nyc where the music being played was not to their liking...

right behind his successful year 2009, with being remixed by convextion and an outstanding releases on zyntax motorcity, finlands crc aka michael diekmann comes up with a stunning new track for this ep. dreamlike soundscapes and powerful drums are key here. a very emotional experience not to be missed!
on the other side germanys myon delivers an up-building 9-minute-journey for the dancefloor, which stands out due to its big 909-programming and the typical myon-soundscapes!

4 track ep from chicagos mathematics label run by hieroglyphic being (aka jamal moss) featuring artists from around the world:le matin, kelton prima, takeshi kouzuki, and stabil elite. a mix of industrial, r&b dance, acid house and italo disco.

return to form (take that, haters!) hits at the body repeatedly, slamming away with a lack of abandon and a new sense of protocol. major stars are known for being psychedelic rock journeymen (and journey lovin women), but of late, their rocks psych roots seem to be dyed platinum white, with a truckers cap shoved on top of the whole mess. its jukebox ready hard rock with a hallucinogenic edge, sure ? or perhaps its just the impact of their triple guitar git down, causing your head to throb with concussive force? dont worry, long time star children ? these guys still jam, but they ve got short numbers too, and wailing, roadhouse vocals sailing over the punch ups. a terrific variety, but a return to form? pffft! what form? these guys have been in plasma state forever! whatever form it takes, thats what it is. and major stars are presently shining on in white dwarf style ? compacted, but with a violent gleam.

4 tracks by bass junkie and the dexorzist!!

in 2010 desolat continues its one year old x series with m.in: >sing and blow at the same time<. m.in is an young artist from frankfurt area developing his individual music taste by being open-minded towards other genres. his interpretation of house / tech-house is spiced up with jazz, soul and afrobeat elements in order to present a varied and sophisticated blend to his audience and led to numerous well received solo releases and remixes for radio slave and italoboyz amongst others. m.ins house and his versatile beat programming caught our attention a long time ago - and the title track here simply seemed to be tailor-made for loco dice and his sets. >sing and blow at the same time< was probably one of the best kept secrets since last summer and now it’s time to reveal it. this new desolat x will be the first in the series to be available as a digital file as well. its coloured vinyl, with artwork by florian pohl and mastering by enrico mercaldi, will remain a collectors item - great sounding and good looking.

star is reel peoples latest smile maker and features the beautiful vocals & lyrics of one of the worlds finest soul voices, tony momrelle. tony has been a man very much in demand over the last decade having toured with legends such as sade, whitney houston, take that & of course being the front man for the institution that is incognito.

a1 this classix gets the remix treatment by daniel bovie & roy rox!! massive hit! a2 huge track being in a massive john dahlback remix! b1 phonat sounds like a real daft punk record! avicii on remix duties! b2 2 dirty gets support from tiesto need we say more ?

a1 jerome is tipped as the next superstar dj and hold that sucker down is a step in the good direction ,)a2 hit record from belgian hit maker dj rebel! being licensed out in practically every territory! b1 bacon popper one of the highlights on the new regi in the mix vol 8 compilation! now finally available on vinylb2 remember sunshine from the filterheadz & tomas? clubzound have put it in a 2010 jacket!

jacksonville (leeds u.k) releases his first original track for thug records. the release also coincides with the launch of our vinyl arm and marks a new direction and ethos for thug records. after being heavily inspired by a 4 month trip to berlin in late 2009 and by a number of fantastic labels and artists in the u.s.a, we have decided to make shift back to a more organic platform. to quote levon vincent, the medium is the message. now for the tracks, dusk is a deep, bumping techno gem that grinds and pulsates with smatterings of acid, drum hooks and creepy vocal stabs.
on the remix front, one of our all time favourite producers, abe duque (nyc), does what he does best and turns out an incredibly twisted dance floor beast. both tracks here bring the noise. hope you enjoy...

right now is a bit of a lost record that has never officially been released as a single but managed to make its way onto jt donaldsons dj mix album and mark farinas house of om compilation on om records. now the record is being given the recognition it deserves by being released as a single on rebirth records with a couple of hot new mixes.

bigtime buzz on this hot collaboration between veteran vocalist roland clark (urban soul) and san frans franky boissy. theres definitely an its yours feel to this spoken word meets funky house gem, with david harness bottom heavy floor filling mix being the standout cut.

the second and final voyage direct remix ep. four remixes from homeland amsterdam.
aardvarck, boris werner, san proper and sotu the traveler deliver the goods here and do what they do best, creating a diverse set of mixes. boris delivers an even deeper mix of >lost in the streets of nyc<, which is already being played by the likes of ricardo villalobos et al. aardvarck roughens up >on the side< in his well-known cultcopy style. while san proper discofies >use me< and sotu morphs the title track into a dubstep/house hybrid. new shit!

warning! this material contains explicit experience of heavy industrial sonic pressure by jason little. some listeners may be shocked or it may provoke inappropriate panic confusions after listening whole album. control the little man - is offensive and it s being handled only to highly skilled djs. datablender records advise you to consult with your sound engineer before putting needle on the record.

it was only a matter of time. two genre-defining artists together ... pop music and dance musics most famous arbiters of taste, collaborating at last. dj hells >u can dance< is an interpretation of an unreleased bryan ferry song, but its one that reflects a perfect melding of two distinct personalities, a record that sounds as if the voice and music were made for each other.
hell, of course, has been riding high on the success of >teufelswerk<, his masterpiece of a double album, a journey replete with fruitful experiments and club bombs. one that has yielded both massive hits and not a tiny bit of controversy along the way. ferry, meanwhile, has been as busy as ever—recording a new album, performing in places as far afield as siberia, opening up the cannes film festival ... basically just being bryan ferry.
and now here they are together ... it all started in 2006 when hell dropped in to meet ferry at his west london studio. at first they discussed hell remixing an old roxy music track, and then it turned into something else - something new (u can dance).
they had similar impressions of one another — hell: >i was impressed by his aura and his look.<, ferry: >he impressed us with his sophistication and charm.< fast forward a few years later, and hell is hard at work on teufelswerk and putting the finishing touches on the aforementioned song titled >u can dance<, a serpentine moroder-esque disco burner. with the help of old friend peter kruder, of kruder and dorfmeister fame, hell fashioned the song into a smoldering nine-minute highlight of the double disc set, in which ferry turns in a typically assured vocal performance.
ferry may seem like an unexpected fan of dance, but hes been going to clubs since he was a teenager, and in his lengthy career hes worked with legends such as nile rodgers of chic and david williams from michael jacksons band. >its always a pleasure to work with people from that genre, who follow a singular groove.<
the single follows in the wake of hells >the dj feat. p. diddy< which has won over floors and critics alike with its nearly 30-minute radio slave remix and fine work from the likes of deetron, jay haze and others. on >u can dance< hell and ferry have similarly pulled out all the stops for the remixes, gathering up work from the grammy-nominated producer carl craig, dfa mainstay tim goldsworthy and pop electro superstars simian mobile disco.

support by phil kieran, chloe, electric indigo, xpansul, terence fixmer, david keno, herve, ... the underground is what the politically correct devastates. being able to make a step aside, daring to make what the times do not take in count. this is the leitmotiv that defines best the work and state of mind of monoblok & pussyselektor, an upcoming explosive duo composed of two activists of the electronic scene from the north of france.

it was in november 2009 when professor dr. geiger presented his epoch-making invention to the public. of course, everyone was really excited, because this invention was said to shake the music industry to its very foundations. from now on, billions of mp3, cd, music cassette as well as ordinary record players should just be scrap, and completely out-of-date. todays dj, one could read in the manual, no longer needs all this. from now on, everything he needs is a 69 bux.
- just fill up to 11.5 liters of liquid vinyl into the vinylator
- internet on
- select track
- press the bum bum button
as soon as the record has been finished and cooled down, the techno-mkx-arm will put it on automatically. you do not need any additional player. we recommend to use an oak wood table. for the next generation, more functions such as autosurf or automix are being planned. 3-phase, variable control: warm-up, party, go home.

another bosconi anthem for the winter... sex baby please!
we are so happy to finally release this song by chronic flakes aka alex picone & kay sand already on mixworks and cadenza.. this track really represents our philosophy of dance music: extremely forward thinking boogie tech house with strong and powerful 909 drum machine sounds, sensual, jokey and funny vocals, an essential dry feeling filled up of chicagoish memories, so complete and rich of elements that makes it more than a common track, it is really for the girls, no music for techno machos, for us, just innovative and properly coooool stuff... and, being not selfish, we dropped also two other gems by our chronic mates... >easy cure< is a stunning, ethereal and bouncey oldschool/newyorkish deephouse track with a solid groove in the vein of kenny dope and early strictly rhythm, while >output< is a trippy technoid bomb for the likes of hardwax fans and dimbimans >vibration of v< addicts... what more were you looking for? have a listen baby ...

for intactos 24th release we welcome nicole moudaber. christened by john digweed as the >queen of dark house< as well as being named in many top djs techno charts – nicoles music clearly has a broad appeal. when carl cox was asked last month by dj mag who was the most underrated dj in 2009, he answered >nicole moudaber, ive been following her career for the last three years - her productions and djing. she s amazing.<

2017 repress, with jamie and i being die hard fans of prince, i knew that once we sat down to work on this >prince-like< vocal track, the outcome might turn out epic… and it did! >nasty things< became an instant anthem for our dj sets. two takes on the talking heads on the reverse to round it all out

every year hundreds of thousands of dance records are being made and released. with the output from dance producers at an all-time high and with so many records crossing over it takes something a bit special to break-through from underground groover to worldwide mover. 2010 is the year of >sidney samson – riverside (lets go!)< on data records.
the facts above dont lie, this isnt just a dance record, its a dancefloor phenomenon and theres good reason for the comparisons with >day & night< by kid cudi vs. crookers and fedde le grands infamous >put your hands up for detroit<. its got exactly the same appeal and has had exactly the same effect, i.e. unstoppable support and praise from the coolest underground djs all the way up to the global superstar djs and via every european summer holiday resort. sidney samson is a name you simply cannot ignore right now.

the waiting is finally over! after all the ups and downs of the past year, we can happily report that joshua eustis now firmly intends to continue telefon tel aviv as a solo project. in order to mark his decision with a bang, thewonderful title track >immolate yourself< is being released as the second single from the current lp. the song has been entrusted to highly acclaimed and diverse remix artists who have skilfully stripped down the epic album track to more club-friendly formats.
the a side is delivered by label-mate thomas muller, whose finely detailed techno soundscapes can now be enjoyed on five bpc 12 inch releases. his >immolate< remix takes a much more direct approach. he reduces the lush arrangement of the original to a powerful basic framework, leaves out the vocals almost entirely, and creates a surprise when the track crumbles into sonic chaos towards the end.
miss fitz aka maayan nidam has had singles released on labels including raum musik and freak n chic, and these have been remixed by renowned artists such as ricardo villalobos. her version of >immolate< also makes a clear break from the album track and serves up her very own brand of abstract, dancefloor-friendly house. once again, all the opulence of the original is thrown overboard, a dry beat is placed at the centre of the arrangement and enriched with sinuous vocals.
ben klock needs no further introduction - he is the epitome of the bleak, hard minimal sound. his album >one< is currently available on ostgut ton, and as a remixer he has earned the highest acclaim for his version of depeche modes >peace<. bens >jack mix< is fittingly titled and lives up to all the expectations of the name. the track is stripped back to a resounding, hammer-like beat framework - minimised for maximum effect.
bpitch legend sascha funke delivers a surprise with another astoundingly reduced remix, at least by his standards. he turns away from the melodic richness of his current album >mango< in favour of repetitive fragments and an extended arc of tension which will surely make his >immolate< remix a massive after-hour hit.

alejandro the argentinian fellow, also known for his monikas >funzion< and >e bridge<, released on lomidhigh, alphahouse and sushitech among others, presents us two energetic musical journeys for the meander imprint. this is warm and funky music, simply pure and rich in its dynamic, drive and groove. stunning and very ajejandros own style. the track selva introduces itsself with a temper didgeridoo eclecticism. followed by lush heavy sub basses with a dash of acid and wandering crispy sounds, his tricky rhythm programmings are blowing us away into dramatic dancefloorbliss. spiced up toms between high frequent synthesizers underline its constant presence. a melodic, organic and crafty piece of house music. on the flipside we have >pampa<. the obviously traditional south american influences of our talent merge with modernism, fluxion and frequency precision. an emotional trip that let somehow emerge images of dreamy landscapes while being still a dance orientated killer tune. with this record alejandro emphasizes his creativity as a standout producer for dense and powerfull creations

this is the second release by antonelli for dreck after his boogie ep in 2007. in classic antonelli working method the material here is made without a cpu, just with hardware. this gives the tracks a warm feel and a sense of an older mode of production, but nevertheless the two tracks are fully rooted in the now! stefan schwander starts out with the idea of the bassline as a genre-defining element in music. he then works from this central idea towards an euphoric and a reductive version, resulting in the two tracks here at hand, >disconnected< on the a side, and >operatore< on the b side. they both feature a beautifully analogue disco (if not moroder) bassline, build up continuously without ever meandering or loosing direction - very straight and pushing the dancefloor forward with >operatore< being the more bouncy and carefree track of the two.

catalog number 004 on four roses recordings is yet another sublime release of the motor city drum ensemble. following the success of his first single for frr, breath control, danilo plessow this time brings us two quite unique tracks: the a side (sunsequence) being a dark, repetitive and haunting piece of post detroit techno which continuously builds layer upon layer, until it finally explodes: the pulsewave drones, jupiter chords and 808 patterns will cause maximum effect on the dancefloor. feel the love on the b side slows things down a little, but keeps the dark mood, adding some of that old school sample flavour to create a trippy afterhour track, that sounds different from anything you ve heard lately. ltd restock